Selected Group
Exhibtions
Knoxville Museum
of Art, Knoxville, TNCollections
Affiliations
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| Public Commissions | ||
| 2006 | Public Art Commission, NYC MTA Arts for Transit, Brooklyn, NY | |
| 2004 | Public Art Commission, Summit Arts, Summit, NJ | |
| 2003 | NYC Percent for Art Commission, Cambria Heights Branch Library, Queens, NY | |
| Solo Exhibitions | ||
| 2002 | Game Boards, 80 Washington Square East, NYC, NY | |
| 1997 | Game Boards, The Gallery at R&F, Kingston, NY | |
| 1992 | New Horse Work, Winkler Galleries, Sutter Creek, CA | |
| 1986 | Horses, Elan Gallery, Bismarck, ND | |
| 1982 | Hanky Collages and Altar Constructions, Mythology, NYC, NY | |
| 1980 | Two Cows, Harriman College, Harriman, NY | |
Selected Group
Exhibtions |
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| 2006 | Fragments, Water Street Gallery, Saugatuck, MI | |
| 2005 | Wax: Encaustic Techniques in Contemporary Art, Brush Art Gallery, Lowell, MA | |
| Color and Form, Water Street Gallery, Saugatuck, MI | ||
| Intimate Abstraction, Valencia Community College, Orlando, FL | ||
| 2004 | Drawn to the Present, Pace University Gallery, Pleasantville, NY | |
| Pattern Into Pattern, New York Law School, NYC, NY | ||
| 2003 | Surface, Matter, & Artifice, Dutchess Community College Art Gallery, Poughkeepsie,NY | |
| The Whole Ball of Wax, Woman Made Gallery, Chicago, IL | ||
| 2002 | 4 Square, Gallery Korea, NYC, NY | |
| Print 2002, 354 Exhibitions, Brooklyn, NY | ||
| 2001 | Over Times Squared, Department of Cultural Affairs, NYC, NY | |
| Encaustic, Encaustic..., Melanee Cooper Gallery, Chicago, IL | ||
| 2000 | Contemporary Mandalas, The Discovery Museum, Bridgeport, CT | |
| New Artists, Lead Gallery, Seattle, WA | ||
| 1999 | Encaustic Works 1999, Watermark/Cargo Gallery, Kingston, NY | |
| Game Show, The Bellevue Art Museum, Bellevue, WA | ||
| Summer Exhibition, The Painting Center, NYC, NY | ||
| Waxing Poetic: Encaustic Art in America, The Montclair Art Museum and traveling to | ||
| Knoxville Museum
of Art, Knoxville, TN |
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| Cross Purposes, Korn Gallery, Drew University, Madison, NJ | ||
| 1998 | Art as Spectacle, Katonah Museum of Art, Katonah, NY | |
| Pet Shop, Nicholas Davies Gallery, NYC, NY | ||
| 1997 | Contemporary Visions, University of Bridgeport, Bridgeport, CT | |
| 1993 | A-Z, 0-9, ES Vandam, NYC, NY | |
| 1991 | Faith Nightingale Gallery, San Diego, CA | |
| Winkler Galleries, Sutter Creek, CA | ||
| 1990 | Cowboy Bob, Winkler Galleries, Sutter Creek, CA | |
| Faith Nightingale Gallery, San Diego, CA | ||
| 1987 | Santa Fe Institute of Fine Art, Santa Fe, NM | |
| Hudson Gallery, NYC, NY | ||
| Animals ‘R Us, Kraine Club Gallery, NYC, NY | ||
| 1986 | Artist Books Invitational, Clark Gallery, Lincoln, MA | |
| 1984 | Image Pilgrimage, The Court Gallery, NYC, NY | |
| 1982 | Mixed Bag, Alternative Museum, NYC, NY | |
| 1981 | Re: Pages, New England for the Arts Touring Exhibition, RI, MA, CT, NH | |
| 1980 | Crafts Functional and Non-Functional, Webb/ Parsons Gallery, New Canaan, CT | |
| 10 Downtown, NYC, NY | ||
| Bibliography | ||
| Joyce Shelby, "Subway Art Glowin' in the Wind," New York Daily News, | ||
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February 13, 2007, p.10 | |
| William Ayres and Sandra Bloodworth, Along the Way, MTA Arts for Transit, 2006 | ||
| Eleanor Heartney, City Art, New York’s Percent for Art Program, 2005 | ||
| Joanna Arettam, Spirit Maps, Red Wheel / Weiser, 2001 | ||
| Faye Hirsch, “Working Proof,” Art On Paper, Vol. 6, No. 1, Sept-Oct 2001 | ||
| Joanne Mattera, The Art of Encaustic Painting: Contemporary Expression | ||
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in the Ancient Medium of Pigmented Wax, Watson-Guptill, 2001 | |
| David Pagel, New American Talent 15 (Catalog), Texas Fine Art Association, | ||
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Austin, TX, February 2000 | |
| Kay Turner, Beautiful Necessity: The Art and Meaning of Women’s Altars, | ||
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Thames & Hudson, 1999 | |
| Robin Updike, “Game Show,” The Seattle Times, November 26, 1999, p. H1 | ||
| Holland Cotter, “A Garden of Subjects, Materials and Styles Across New Jersey | ||
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Thames & Hudson, 1999 | |
| Gail Stavitsky, Waxing Poetic: Encaustic Art in America (catalog), | ||
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Montclair Art Museum, Montclair, NJ, May, 1999 | |
| Marion Filler, “Crucifixion continues to inspire works of art,” Daily Record, | ||
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Morris County, New Jersey, March 13, 1999, p. B7 | |
| Vivien Raynor, “A Sense of the Spectacle and Its Place in Society,” | ||
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New York Times, Sunday, May 10,1998 | |
| Florence Schetzel, “Art’s in full bloom at local galleries,” Poughkeepsie Journal, | ||
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Dec.26,1997,p.1D | |
| Kathi Norklun, “Games people paint,” Woodstock Times, Dec. 25, 1997, p. 23 | ||
| Barbara Ellmann, “Where I Live” and “Water Carrier” (about ladders), Calyx, A | ||
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Journal of Art and Literature by Women, Vol. 17, No. 1, Winter, 1997 | |
| Wendy Martin, ed. Photo Essay on Barbara Ellmann’s Sculpture, | ||
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Women’s Studies, Claremont, CA. Dec. 1995 | |
| Women Sculptors of the 90's, Snug Harbor Cultural Center, | ||
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Staten Island, NY, Dec. 1995 | |
| Kay Turner, “Barbara Ellmann — Altars,” lady-unique-inclination-of-the-night, | ||
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Cycle 6, University of Texas, Austin, TX, Autumn, 1983 | |
| Mixed Bag (catalog), Alternative Museum, NYC, NY, 1982 | ||
| Marcia Pally, Review of installation piece, Instep, Sept.15 - Nov. 1, 1981 | ||
| Gary Richman, Re:Pages. An Exhibition of Contemporary American Bookworks, | ||
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Hera Educational Foundation / New England Foundation for the Arts, 1981 | |
| Leslie Plummer, Gallery Reviews, New York Arts Journal, April, 1980 | ||
| Susan Kurtzman, “Animals Abound in Webb and Parsons Show,” | ||
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FairPress, New Canaan, CT, June 18, 1980 | |
Collections |
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| United States Embassy, Kampala, Uganda | ||
| Centre Solutions, Bermuda | ||
| Banner Estrella Medical Center, AZ | ||
| Peter Norton | ||
| Walter Scheuer | ||
| Leonard Nimoy | ||
| Peter J. Sharp Foundation | ||
| Judge Alan C. Marin | ||
Affiliations |
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| New York Artists Circle, Director and Founder | ||