STATEMENT
My installations and public works relate to cognitive response to rapidly shifting visual information in the urban landscape. Each painting is a unit of the kind of perceptual information that is lost between the processes of experience and association and the limits of memory. Working abstractly allows me to imbue the work with fluidity and contrast, paralleling our notions of the city’s rhythms, momentum and diversity. With my prints, I am working in a similar way, to explore variations and the ways we see and interpret shapes and color as symbols. The installations I create are unfixed and infinitely interchangeable, creating an opportunity for the re-experience and re-evaluation of information in an endless number of permutations for the individual. I have always been interested in repetitions, patterns and their inconsistencies in complex arrangements, and can translate these ideas to suit a particular space and audience.
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